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Avatar Drop “Crying Fire” Video

by Amy Sciarretto
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AVATAR - Crying Fire (Official Music Video)

"Crying Fire" ❤️‍🔥 https://avatarmetal.tunelink.to/cryingfire ALL THINGS AVATAR: https://music.avatarmetal.com/links https://avatarmetal.com | https://avatarcountry.com FOLLOW US: https://www.instagram.com/avatarmetal/ https://www.tiktok.com/@avatarmetalofficial https://www.facebook.com/avatarmetal Directed, filmed and edited by: Johan Carlén Mask: Emma Falkensjö Lights: Max Månmyr, Sakarias Nilsson Laser: Emil Nyman Assistant: Max Seger Runner: Anders Karlsson #avatarmetal #avatar #cryingfire #newmusic

The heavy metal visionaries collectively known as AVATAR — vocalist Johannes Eckerström, guitarists Jonas Jarlsby and Tim Öhrström, bassist Henrik Sandelin, and drummer John Alfredsson — unleashed their latest masterwork Don’t Go in the Forest  last year on Halloween — how fitting! Listen and get the album HERE.

Avatar began their touring cycle with a massive North American headline run, with their biggest headline show to date in Mexico City. After North America, Avatar traversed through Europe and then back to North America, wrapping up earlier this month. The American run included stops at Welcome to Rockville and Sonic Temple, gaining acclaim from Ultimate-Guitar and RockFeed. Now, Avatar is back in Europe, winning over the souls of Metallica fans, opening for the juggernaut in four European cities.

Today, Avatar unveil the video for new standalone single “Crying Fire.” Watch it above.

“Crying Fire” is no throwaway b-side. This is Avatar. The band intentionally withheld the track and decided to strike when the time was right. Fortunately for fans, that time is now.

“Crying Fire’ is very special to all of us. It was written and recorded as part of the Don’t Go In The Forest sessions. When making the final  selection for album tracks, this one was a given. But then we started asking ourselves something: What if we saved the best for later? What if we kept this gem away from the world for a while?,” Eckerström explains.

He continues, “It certainly stands tall on its own. I hear a relentless firestorm of emotions. It hits me in a deeply hidden place, and I hope it does the same for you. I could say a lot about what the song is about, but I’ve learned that sometimes it’s better to get out of the way and simply let it be heard for what it is. The best I can say today is that it’s about enduring pain and loving passionately.”

This track is so very… Avatar.

As is the band’s newly announced ’26 tour dates across Europe, and the UK following their return to Australia, and New Zealand.

EUROPE:
11/20 — Wolverhampton, England — KK’s Steelmill
11/21 — Southampton, England — O2 Guildhall
11/22 — Cardiff, Wales — Depot
11/24 — Dublin, Ireland — National Stadium
11/25 — Belfast, N. Ireland — Limelight
11/27 — Norwich, England — UEA
11/28 — Newcastle, England — Northumbria Uni
11/29 — Edinburgh, Scotland — Corn Exchange
12/1 — Amsterdam, Netherlands — Gashouder
12/3 — Oberhausen, Germany — Turbinenhalle
12/5 — Budapest, Hungary — Barba Negra Red
12/6 — Prague, Czechia — Sasazu
12/8 — Innsbruck, Austria — Musichall
12/9 — Linz, Austria — Posthof
12/10 — Ulm, Germany — Roxy
12/11 — Esch-Sur-Alzette, Luxembourg — Rockhal
12/12 — Zürich, Switzerland — Komplex
12/13 — Frankfurt, Germany — Zoom
12/15 — Padova, Italy — Hall
12/16 — Ljubljana, Slovenia — Cvetlicarna
12/17 — Zagreb, Croatia — Boogaloo
12/18 — Bratislava, Slovakia — Majestic Music Club
12/19 — Wrocław, Poland — A2

The rest of the band’s upcoming tour dates, including their remaining dates supporting Metallica are below.

SUPPORTING METALLICA — SUMMER 2026:
6/11 — Budapest, HU — Puskas Arena
6/19 — Dublin, IE — Aviva Stadium
7/5 — London, UK — London Stadium

ADDITIONAL FESTIVAL DATES — 2026:
6/7 — Trondheim, NO — Trondheim Rocks
6/20 — Dessel, BE — Graspop Metal Meeting
6/26 — Oslo, NO — Tons of Rock
7/2 — Ballenstedt, DE — Rockharz Festival
7/3 — Donauinsel, AT — Donauinselfest
8/8 — Gdańsk, PL — Rockowizna Festival
8/15 — Sullingen, DE — Reload Festival
8/22 — Göteborg, SE — Göteborg Brinner

AUSTRALIA + NEW ZEALAND DATES — 2026:
8/26 — Adelaide, AU — Lion Arts Factory
8/28 — Melbourne, AU — Northcote Theatre
8/29 — Sydney, AU — Manning Bar
8/30 — Brisbane, AU — Princess Theatre
9/1 — Auckland, NZ — Powerstation

ABOUT AVATAR:

As a strange light in the sky beckons you towards something forbidden, far away, you see a robed, horned ferryman, rowing across a restless sea at the end of days. Back home a strange sound rolls through your house. It comes from the basement. The news talks about a beautiful corpse, lauded for her magnificent demise on a dance floor by men who could have fixed her. You catch the last broadcast from an outpost succumbing to flames on a distant moon. Its inhabitants try to outrun their own madness. Outside there is a place you’re not allowed to go, no matter how intoxicating the gaze of the eyes among the trees.

You lay awake at night, yet you dream thousand dreams more real than any waking moment.

Strange times call for a strange band. With a life long commitment to the misfit arts, Avatar delves deep into the collective subconscious. They travel beyond the realms of flesh and far past the spiritual barriers broken in past works. No matter how many times they were warned, they keep treading deeper into the woods. There is sense to be made out of the senseless. They lay a soft gaze upon terrifying, almost shapeless inner landscapes, and they have a damn good time doing it.

Don’t go in the forest is a warning said by others, heeded as a challenge for a certain kind of freak who just can’t fight the urge to seek truth and feel alive. It is a collection of strange tunes emerging from a circus tent in a meadow in a faraway valley. You can only ever get there by accident, walking a path impossible to remember and map out. Two eyes closed, one eye open.

Formed by John Alfredsson and Jonas Jarlsby as teenagers, soon joined by Johannes Eckerström, Henrik Sandelin and Simon Andersson, Avatar started an evolution that would see a group always looking to connect what you hear with what you see. Once Andersson left and Tim Öhrström joined, they had all the ingredients to a brew so potent it would forge their names into the souls of millions. More than a band, Avatar has evolved to concept art. In order to keep going with the same drive as they had on day one, they make sure that what is made must be done. Every single time must matter more than ever before. No matter how far they get, they are sworn to remain underdogs. There is so much to do, to try. So many ways to rediscover the simple yet sublime power hidden inside an electric guitar.

It’s all about trying new things, on and off stage. Choirs, brass instruments, Moogs, piano, cellos and violas. As long as it all worships at the altar of the riff, the possibilities are as vast as the universe. Don’t go in the forest once again stretches, bends and breaks the boundaries of what Avatar is and can be by providing both the most introspective as well as their most explosive moments. It is all done in a way that can only be achieved after a lifetime in servitude to the madness where all your gathered experiences are used to be reborn. In other words, by embracing discovery as the core tenet for what they do, every new release is as fresh and exciting as their very first time in a rehearsal room.

While the studio experience is becoming a more and more powerful tool for self expression, it is on the stage where Avatar truly comes alive. Every testimonial makes the same claims in all caps. Avatar is a MUST SEE experience. Every album cycle has provided record breaking milestones. A few of the more recent ones being kicking the door in on Latin America, first with Iron Maiden, and then with sold out shows all throughout Mexico and beyond. They have also become the talk of countless festivals across Europe and the United States, being a surefire stage closer and show stealer everywhere they go, all while setting attendance record after attendance record for their headline shows. From Australia to Brazil. From Scandinavia to the Mediterranean Sea. From the Pacific Northwest to the Deep South. Everywhere they go, their unique blend of suggestive theatrics and unabashed, unapologetic good heavy metal times, they have proven that there is only one Avatar and everyone else is playing for second place. Their impact is shown with chart toppers such as “The Dirt I’m Buried In” reaching heights that are hard to imagine from a band that has stepped into the craziest era in music history, taking matters into their own hand with their own independent label, Black Waltz Records.

For centuries the circus would come to town. Now, for the first time in history, the gravitational pull of Avatar is so strong that the town is coming to the circus. A circus deep in the forest. A forbidden place. A taboo you are destined to break.

AVATAR ARE
Johannes Eckerström — Vocalist
Jonas Jarlsby — Guitarist
Tim Öhrström — Guitarist
Henrik Sandelin — Bassist
John Alfredsson — Drummer

Atom Splitter PR | Website |  + posts

When it comes to publicity, media relations imaging, and marketing, Atom Splitter PR Principal and Founder Amy Sciarretto personifies dexterity, diligence, and devotion as she envisions and executes campaigns that don’t just impact tastemakers, but audiences worldwide.

Boundaries don’t exist for her initiatives. Sciaretto’s versatile ability to maneuver outside of expectations and elevate talent to new heights has been a cornerstone of the success of award-winning RIAA-certified juggernauts such as current clients Killswitch Engage, Falling In Reverse, Seether, Hatebreed, Helmet, Zeal & Ardor, Attila, Code Orange, and countless others. Following a storied tenure as an editor at CMJ, she became a fixture at Roadrunner Records before formally launching Atom Splitter PR in 2012. At Roadrunner, she operated point on campaigns for seminal albums such as Slipknot’s platinum-selling Billboard Top 200 #1 opus All Hope Is Gone, Korn’s GRAMMY® Award-nominated Korn III: Remember Who You Are, Killswitch Engage’s gold-selling The End of Heartache and As Daylight Dies, and more in addition to key releases from Meat Loaf, Rob Zombie, Stone Sour, Tommy Lee, and more.

Atom Splitter PR illuminates the scope of her vision. With a powerhouse roster spanning heavy metal, rock, alternative, indie, and pop, she continually lands high-profile placements across print, online, and television. Her drive and dedication remain unparalleled, adding a personalized fire and flare reflective of every artist’s individual needs. As the engine of Atom Splitter PR accompanied by a full staff of equally passionate PR impresarios, she continually raises the bar and redefines what publicity can be in the age of streaming and social media.

Outside of public relations, Amy remains staunchly devoted to her family and bulldog Higgins. She spends as much time as possible walking dogs at a local shelter, giving them a little extra love. In 2009, she co-authored the music industry survival guide Do The Devil’s Work for Him alongside Rick Florino. Expect her to make more history going forward…

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