Home Movies/TV‘Ted Lasso’ Season 4, Episode 4 Review: The Lady Greyhounds Finally Become a Team

‘Ted Lasso’ Season 4, Episode 4 Review: The Lady Greyhounds Finally Become a Team

by Mick Lite
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Ted Lasso Season 4, Episode 4 recap and review: “Greyhounds’ Day Off” finally feels like the old show again.

Apple TV’s revival of Ted Lasso has spent three episodes assembling a new roster, a new coaching staff, and a new set of problems. Episode 4, “Greyhounds’ Day Off,” which arrived Wednesday, August 26, is the first hour that actually uses that setup. It is still a little baggy in places, but it is also the first episode this season that understands what the series has always done best: take a locker-room problem, apply a slightly silly American solution, and let the characters surprise you on the way to something sincere.

The official logline is simple: the coaches have to break up team cliques, and Ted is still adjusting to life outside a men’s locker room. That is exactly what happens.

The episode is framed as a podcast conversation between Trent Crimm and Dr. Sharon Fieldstone — two welcome returns — talking about team-building and the old warning that if you lose the dressing room, you lose the team. That idea hangs over everything Ted, Coach Beard, and assistant coach Alice Chilton are dealing with at Richmond’s women’s side.

On paper the Lady Greyhounds are fine: a couple of wins, a couple of draws. In the locker room they are not a team. Attackers, midfielders, and defenders have split into position cliques, complete with petty fights over socks, numbers, and slights that only make sense if you already live inside the argument. Alice diagnoses it first. Ted and Beard try to sneak a look at the conflict without walking into a women’s changing room, which produces some of the hour’s better physical comedy. Ted’s fix is classic early Lasso: cancel training, send everyone to Mae’s newly revived pub quiz at the Crown & Anchor, and mix the teams himself.

Trivia night works, then works too well. Beard is, of course, a monster at pub quizzes until a flyer for his ex Jane’s one-woman show knocks him sideways. The players start answering as a unit. Then an all-male opposing table starts in with sexist taunts. Goalkeeper Katie “Boots” Quinn answers with a bottle. The brawl swallows players and coaches alike. Everyone ends up in jail. Behind bars, the cliques finally collapse. Ted calls it a “giant cluster clique.” Beard corrects him: “It’s called a team.”

Meanwhile, Rebecca and Keeley attend a women’s football business summit and meet Zelda Southport, played by Tracey Ullman — a self-made, ex-punk financier who funds women’s clubs and has no patience for men in suits who treat the sport as a branding exercise. Keeley is immediately sold. Rebecca is not. Their argument is short, then surprisingly tender: Keeley is not chasing Zelda so much as chasing the chance to build something with her best friend. Zelda later bails the entire team out of jail and notes that a group mugshot might make decent marketing. Higgins arrives with the other shoe: Richmond has drawn Chelsea in the Women’s FA Cup at Nelson Road. Alice and Beard look worried. Everyone else looks ready.

Roy’s plot is the hour’s oddest leftover. Keeley will not get back together with him until he dates other people and stops putting her on a pedestal. Roy treats the assignment like a quota, stacks dates in one night, bombs most of them, hooks up with a bartender, blows out his knee again, and then meets a specialist, Dr. Erin Beaumont (Laura Haddock), who actually interests him. It is funny in spots and thin as character work. The show is clearly keeping Roy and Keeley in motion rather than resolving them.

“Greyhounds’ Day Off” is the first Season 4 episode that feels structurally like Ted Lasso. The pub-quiz plan is the kind of slightly corny, oddly effective idea the series used to build whole hours around. Mixing the teams, letting Beard dominate until he doesn’t, and then giving the women a common enemy is old-school Lasso engineering: unity through a shared mess. The jail sequence is the payoff. It is broad, but it lands because the episode has earned the idea that these players needed something bigger than a training-ground lecture.

Ullman’s Zelda is the season’s most useful new piece of furniture. She is funny, sharp, and immediately useful as both ally and possible problem. Rebecca’s suspicion of her is the smartest note in the B-plot; the show has learned, at least here, not to treat every rich savior as a gift. The Keeley–Rebecca scene in the stands is the hour’s best emotional beat — two people who have already survived a lot of this club trying to build the next version without turning on each other.

The weaknesses are familiar for this revival. Roy’s dating gauntlet is sitcom busywork attached to a character who used to be allowed more dignity. Zelda waving the arrest away is convenient in a way early Ted Lasso usually punished. Alice still spends too much of the hour as the third coach in the room rather than a full protagonist, even though Tanya Reynolds has the driest comic timing on the staff. And the season is still arguing with itself about how seriously it wants to take women’s football versus how much it wants another round of biscuits, movie references, and group hugs.

Even so, this is the episode where the Lady Greyhounds stop being a premise and start being a team. That is the job Season 4 needed to do by Week 4. It did it with a quiz night, a bar fight, and a mugshot. Next week’s episode, “Riches of Embarrassment,” is due September 2, with Chelsea waiting and Alice already looking like the one person who understands how hard that match will be.

Ted Lasso Season 4 streams Wednesdays on Apple TV.

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