On July 11, 2025, Filter, the post-industrial rock powerhouse led by Richard Patrick, dropped their explosive new single, “All The Good,” signaling the arrival of their remixed and remastered album, The Algorithm: Ultra Edition, set for release on August 8 via No Pulse Records. This track is a sonic juggernaut, blending the band’s signature gritty sound with a modern edge, and it’s already generating buzz among fans and critics alike.
All The Good
Listen to All The Good on Spotify. Song · Filter · 2025
A Return to Form with a Modern Twist
“All The Good” is a masterclass in controlled chaos, featuring heavy, psychotic riffs, frenetic vocals, and a soaring, anthemic chorus that hits like a tidal wave. Co-written by Patrick and guitarist Zach Munowitz, with production by Patrick and longtime collaborator Brian Virtue, the song captures the raw emotion and existential intensity that have defined Filter’s three-decade career. Described as a “loud-quiet-monstrously loud” dynamic, it’s a track that grabs listeners by the collar and doesn’t let go.
The single serves as the lead-off for The Algorithm: Ultra Edition, a reimagined version of Filter’s 2023 album, The Algorithm. This new edition expands the original with nine additional tracks, including four remixes, covers of U2’s “A Sort of Homecoming” and Billie Eilish’s “Bad Guy,” and three original songs, two of which—“Thoughts and Prayers” and “Murica”—were previously teased but didn’t make the final cut of the 2023 release.
Critical Acclaim and Fan Excitement
Early reactions to “All The Good” have been overwhelmingly positive. Posts on X highlight the track’s impact, with fans calling it a “swinging” return to form that feels both nostalgic and fresh. One user noted, “Really good. Any fan will be satisfied,” echoing the sentiment that Filter continues to deliver for their loyal base while attracting new listeners. Critics have praised the song’s “classic Filter sound” infused with a modern sonic edge, with AllMusic calling the album “one of Filter’s best, another late-era gem that marries the comforting and familiar with the new and exciting.”
The music video for “All The Good,” released on July 10, has also garnered attention for its visceral energy, amplifying the song’s chaotic intensity. Available on YouTube, the video complements the track’s raw power with visuals that match its unapologetic attitude.
A Milestone in Filter’s Legacy
Filter, formed in 1993 by Richard Patrick after his stint as a touring guitarist for Nine Inch Nails, has long been a staple in the alternative and industrial rock scenes. With platinum-selling albums like Short Bus (1995) and Title of Record (1999), the band carved out a niche with hits like “Hey Man Nice Shot” and “Take a Picture.” The Algorithm: Ultra Edition builds on this legacy, with reviews describing it as “Filter’s best album since its first two releases in the 1990s” and a testament to Patrick’s enduring songwriting prowess.
The Ultra Edition features contributions from notable collaborators, including remixes by former Nine Inch Nails member Charlie Clouser and producer Sean Beaven (known for work with NIN and Marilyn Manson), adding depth to the album’s sonic palette. Tracks like “Obliteration” and “Burn Out the Sun” are reimagined alongside new additions, creating a 20-track odyssey that pushes Filter’s boundaries while staying true to their roots.
Looking Ahead
With The Algorithm: Ultra Edition set to drop on August 8, 2025, and a limited-edition colored vinyl reissue of Short Bus planned for August 15 to celebrate the album’s 30th anniversary, Filter is poised to dominate the rock scene this summer. “All The Good” is available now on all major streaming platforms, and fans can pre-save the album via Filter’s official channels.
As Filter continues to evolve, “All The Good” proves they’re far from slowing down. This single is a bold statement of intent, blending the ferocity of their early days with a forward-looking intensity that cements their relevance in 2025. For longtime fans and newcomers alike, it’s a thrilling taste of what’s to come.
