Kaitlyn Aurelia Smith shares new song & video “Urges” + new LP ‘GUSH’ out August 22

After an incredible and immersive performance at the Polygon Festival in London, Kaitlyn is set to make more festival appearances this summer, including the Edinburgh International Festival in Scotland and the We Out Here Festival in Wimborne, UK. Later this year, she’ll appear at the Pitchfork Music Festival London alongside Marie Davidson and RIP MAGIC, and the digital arts and music festival, MIRA 2025, in Spain alongside Floating Points, Erika de Cesar, Oneohtrix Point Never, and more.  Find the dates below and for more information visit: https://kaitlynaureliasmith.com/

KAITLYN AURELIA SMITH 2025 TOUR DATES:

May 03 – London UK @ Polygon Festival

August 16 – Edinburgh, Scotland @ Edinburgh International Festival

August 17 – Wimborne, UK @ We Out Here Festival

November 6 – London, UK @ fabric for Pitchfork Fest London

November 8 – Barcelona, SP @ MIRA Festival 2025

ABOUT KAITLYN AURELIA SMITH:

Kaitlyn Aurelia Smith is a classically trained American composer, performer, and producer from the Pacific Northwest. Her music is a form of auditory interpretation powered by curiosity and her toolkit of modular, analog, and rare synthesizers (including her signature Buchla), orchestral textures, and voice. Since her first self-release in 2012 (Tides), she has explored the endless possibilities of electronic instruments and the relationship between sound, shape, color, body movement, and expression. On her forthcoming full-length, GUSH, Kaitlyn sets her sights on aesthetics, focusing on the heightened awareness of and presence in the world, where every interaction, whether with people, objects, or nature—has the potential to become a moment of connection and personification.

In her own words:

Gush – is about those “Look at this” moments…

shared between people…

It is about flirtation with objects and the environment…

It is about sensuality and personification…

It is about synesthesia and surrendering to those moments when the senses melt together…

It is about “ the third thing” that is created when 2 things come together…

It is about the way the human form is in service of…

It is about experiencing the genius of everything…                  –KAS

Kaitlyn finds wild, rippling inspiration in tactile moments, partly due to her abiding appreciation of aesthetics (a philosophical approach to the principles of beauty) and, in part, to her synesthesia. “Where some people mix things like color and taste, I get physical urges in correlation to sound,” she says. On GUSH, Smith conveys that experience in a newly direct density and intensity, finding flirtatious meaning in dimensions and structures, emotional resonance in the personification of well-loved objects. By focusing on the metaphysical aura that surrounds that attraction rather than the thing itself, GUSH finds a hypnagogic caress in the profundity of any given second.

Throughout her career, Kaitlyn has been celebrated for embracing her urges, whether towards experimental production, Buchla synth mastery, or exploring the intersection of sound, voice, body, and form. She’s performed alongside artists like Hot Chip, Glass Beams, RY X, Caribou, and Four Tet, and composed original works for Apple, BBC Orchestra, Adult Swim, MoMA, Red Bull, and others. Kaitlyn’s song “Stratus” was also synced in the 2023 film Priscilla Motion Picture Soundtrack.